Greetings Program,
I am Andres. I am a photographer and videographer living in the city of Chicago. Most of my photography is shot on digital, but I still shoot with film as often as possible. My main influences are cinema, architecture, science fiction, and design.
-A M.W
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The cops did a pretty good job over the weekend. I think a lot of people were hoping for things to get ugly, but it really didn’t. The anarchists in attendance were the only really shitty group and I wish the cops had busted their heads up.
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iPhoneography junk
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This is a recording of cursor movement and pauses during two days of work in After Effects + Final Cut Pro for the California Department of Public Health.
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My friend Samantha took this photo of me. I’m rather fond of it.
One, you lock the target…
Catch the man.
I’m looking for this man.
Kitties!
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I want Edison bulbs in my house.
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Wasting time at the conservatory.
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Took shelter from the rain and helped myself the worst Aviation I’ve ever drank.
I never know what I’m doing.
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Optimo Hatmakers
When should you use watermarks? Should you at all? Is it a disservice to the overall conduct of the professional photographic community to not watermark your images? Is there such thing as too much of a watermark? I don’t know and I’m not sure I care about those questions specifically. Mostly I’m interested in the mentality behind some of them and also explaining a bit of my perspective. Questions like these seem to be quite debatable among photographers. Some people only watermark certain images, some watermark even their most abysmal cameraphone pictures, and some don’t watermark at all.
To keep this simple, I’ll only explore the subject of watermarking images that have not been created for commercial use.
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Outtake.
I need to return with a tripod to take this picture the correct way. I don’t want the brim out of focus.